‘A parade of craft cruised the lagoon: gilt-edged ferries and gondolas in jewel-like colours – dazzling blues, crimsons, emerald greens. Sea dragons looped above the rooftops, twisting their sinuous forms … . Esme’s Gift Ch. 3.’
Mark, guardian of Mawson Bear says: Oh dear, our world is not in its finest shape right now, is it? Wouldn’t it be wonderful to be elsewhere. Fortunately, I have to hand Esme’s Gift, the sequel to Esme’s Wish and I can plunge once more into this other world and see again the towers of the city of Esperance and the siren islands of Aeolia.
Esme’s Wish follows on after Esme returns to Aeolia. The evil Nathan Mare is at large and intent on finding the secret knowledge entrusted to her. But in the classrooms and library of Pierpont school she can find friends and allies. And what a library it is.
‘(Ancient gondalas) repurposed into shelves, lined the library’s walls … No longer fit to carry passengers, they now carried books to the shores of the readers’ minds. Esme’s Gift Ch. 12.’
Esme must gather the strange ingredients of the only elixir that can save her mother. To obtain these elements takes all her courage and all the combined gifts and powers of her friends. But some people are not who they seem to be, and the tension never lets up.
Esme’s Wish and Esme’s Gift are written by Elizabeth Foster with the ‘Young Adult’ audience in mind. But if you happen to be older (after all, some of us have yet to find a potion to wind back the years – and if the high risk alchemical experiments in Esperance are anything to go by, we should stay well away from any such potions or concoctions, or who knows what could happen!) .. if you are an older reader who loves beguiling fantasy worlds and tales of ghosts and of quests into caverns guarded by monsters and ghouls, and if you also don’t object to dragons .. The books of the Esme trilogy will be a treat for you.
Reading of Esperance in Aeolia, a realm of seas, islands, lagoons, oh – and dragons.
Where to find this other world:Esme’sGift is published by Odyssey Books, a small press where ‘books are an adventure’. You can immerse yourself in this trilogy by looking at Amazon at Barnes and Noble, and more. You can see more about Esme’s search for her mother and about the author, Elizabeth Foster, at GoodReads.
PLEASE FOLLOW USAt Baffled Bear Books . Simply plonk your paw on the FOLLOW buttons on this very page. You can also follow on Amazon and on GoodReads. We are also on Instagram, and Tiktok, and Anchor/ Spotify and Mastodon (link is @mawsonbear@mastodon.au. )
A Single Light is an urban fantasy tale of ghoulish monsters and non-human protectors battling to save humanity amid the spectacular and rugged landscapes of the Royal National Park south of Sydney.‘ From Back Cover.
‘When Rick Hendry is contacted by a federal agent to help investigate a growing number of mysterious vanishings across Australia, he finds himself immersed in a world where normal is a very narrow view of reality. The two men are joined by a doctor, an archeologist, a journalist, and an Afflur Hunter.’
They soon discover that in the bush, south of Sydney, among the beach goers, walkers and picnickers, a menace grows. The mysterious Bledray monsters are preparing for a Gathering; a feast of epic proportions. Only the Afflur Hunter and Guardians can stop them, but their strength is failing and humans are needed to help prevent a second holocaust’.
Reporter Gabriella worries about the state of her colleague Rick Hendry who is clearly not sleeping well. It turns out he doesn’t want to sleep because in sleep he dreams – and the dreams terrify him.
‘There was something out there, taking people ..’ p.36. Officer Anthony Biglia.
Biglia comes across an expose written by Hendry and believes that the reporter can help him. They swap their theories. Jamie Morell finds abnormalities in the victims’ blood. None of them can work out how and why eight people are dead.
‘‘All are equal in the face of eternal hunger.’
For the Bledray, Maliak, Moriah, Jedidiah and Laeh, the humans exist only to be protected or to be hunted. On the plains below the high country lie millions of souls, a feast to gorge on.
‘ She ran then, urgency gripping her as the screaming of dying souls mixed with the stars and faded into oblivion.’ p. 136
I found that the hunger of the creatures is believable- it’s the idea of insatiable appetite taken to extremes. The sense of menace grows as the hunters of souls and the hunters of Bledray converge upon one another until there is a climatic encounter as bush fire rages. (The fire scenes particularly struck me in the light of the huge fires in NSW last summer which covered some of these same ranges.) The author’s attention to detail and sense of place in the descriptions of these highlands in serves to ground the story. You can read more about Patricia Leslie and her work at her website patricialeslie.net.
Patricia Leslie also wrote The Ouroborus Key, an absorbing blend of Sumerian mythology, esoteric Templar secrets, and a detective story. This makes for a fascinating combination as you can see from my review here.
The graphics shown here are courtesy of the author and of publisher Odyssey Books.
PLEASE FOLLOW USAt Baffled Bear Books . Simply plonk your paw on the FOLLOW buttons on this very page. You can also follow on Amazon and on GoodReads. We are also on Instagram, and Tiktok, and Anchor/ Spotify and Mastodon (link is @mawsonbear@mastodon.au. )
You are at Mark’s blog called Baffled Bear Books. Mark is a dark coffee tragic, bibliophile and Guardian of Mawson Bear, a Ponderer of Baffling Things and one of this bright world’s few published bears.
‘Tears pricked Esme’s eyes. Her mother had vanished, without trace, when she was eight. No one know what had really happened to her- or so they said. Esme’s Wish. Ch. 1.’
Mark, guardian of Mawson Bear says: Another dreary Monday. My real world was not in it’s finest state. Longing to immerse myself in another realm, I picked up Esme’s Wish to read on the commuter ride to work.
‘Esperance appearing to be drifting on the lagoon’s surface, as if its hold on existence was so tenuous that it could slip back into the depths at any moment. High above the city, sinuous shapes pinwheeled across the sky … Dragons. Esme’s Wish Ch.3.’
Not that Aeolia is free of troubles. The city of Esperance is crumbling from earthquakes. The mystery of her lost mother just gets deeper no matter how far Esme investigates nor how many dangers she faces.
‘A loud cry derailed Esme’s train of thought. Her head whipped up. A rush of feathers filled her vision. The sea eagle was streaking down toward her, it’s sharp talons poised, ready to strike. Esme’s Wish Ch.3.’
Aeolia, even so, was a welcome haven for me from Year of The Covid for a week of train rides and lunch breaks. All too soon, I turned the last page. The wind-played harps and song spells faded, and the horrible upsets of Grownup Reality shoved themselves again into my mind.
Esme’s Wish and Esme’s Gift are written by Elizabeth Foster with the ‘Young Adult’ audience in mind, and as Esme and her friends are aged about 15, it is rightly finding a wide readership there. Why recommend these books to those of us older than fifteen (in my case far older)? Because of your certain appreciation of this well crafted fantasy world with its own myths, history and songs, the believable characters, the well paced plot, the fine literary language and, oh, the dragons? Didn’t Tolkein say that he longed for a world in which there were dragons? Don’t we all?
We read, in the end, to not be entirely stuck in the ordinariness or the troubles of our own lives; and I have found Young Adult books and even some children’s books (think of the Narnia Chronicles) to do this as well for me, and often better, than Adult books can do. Oh, I still appreciate the novels written with the mature, sophisticated, world weary and somewhat cynical reader in mind (ie me); but another world entirely, like Aeolia, suits me very much these days. Perhaps many of you feel the same.
The island of Esperance in Aeolia, a realm of seas, islands, lagoons, oh- and dragons.
Fortunately, I have to hand Esme’s Gift, the sequel to Esme’s Wish, and I can soon plunge down once more into other far places where I would rather be, the towers of the city of Esperance and the siren islands of Aeolia. Why not get your copies now and join me there.
Where to find this other world:Esme’s Wish is published by Odyssey Books, a small press where ‘books are an adventure’. You can immerse yourself too in the world of Aeolia by looking at Amazon here, and at Barnes and Noble.
PLEASE FOLLOW USAt Baffled Bear Books . Simply plonk your paw on the FOLLOW buttons on this very page. You can also follow on Amazon and on GoodReads. We are also on Instagram, and Tiktok, and Anchor/ Spotify and Mastodon (link is @mawsonbear@mastodon.au. )
‘Something tugged at me – a dream of seeing distant lands’. Ch. 3.
‘Fourteen-year-old orphan Alina refuses to accept the oppressing life her strict aunt wants to impose upon her. When the opportunity comes along for her to escape, she and her brother embark on a journey through the Byzantine Empire all the way to Jerusalem.’ Back Cover.
In the Spring of 1173, orphans Alina and Milos set out from Provence on a perilous journey to the Holy Land. Milos has lost the inheritance of his land to his uncle. Alina faces only a bleak arranged marriage. But she does possess the highly valued gift of making music and song. And this, on reaching Jerusalem, is a gift that opens up a new world for her, perhaps even an independent future. For Alina, as a woman, this had been an impossible. But now her dream is to become a trobairitz like Beatriz de Dia, that is, a woman troubadour, making her own way in the world.
I enjoyed the children’s journey from Provence to Venice to Acre and on to Jerusalem as if I had become a tourist a thousand years ago and was seeing the sights for myself. Once in Jerusalem the pace of the story changes as Alina and Milos get drawn into the complexities of the court. The author skilfully disentangles all the plots and factions and the competing suitors for the hand of princess Sibylla – who is even younger than Alina. I galloped through the last half of this story. Suspicions mount and danger follows danger.
This book so deftly written that you would almost not realise the depth of the research it must have taken to create it. The story is set in a fascinating but little known time and Alina is a wonderful creation. I also enjoyed the portrait of Princess Sibylla, imperious and arbitrary to Alina, but really just a child struggling to face her imminent responsiblities in the little kingdom facing danger on all sides. This is highly readable historical fiction.
I have always loved stories set in medieval times. I devoured books by Henry Treece, Geoffrey Trease, Rosemary Sutcliff and Zoe Oldenburg. Most of these novels featured knights or barons – men in a male world. Few placed a woman centre stage, and these were the highborn wives of powerful men. In Malve von Hassell’s story, however, Alina is the heroine and her musical gift widen her world not just for herself but her brother too.
Malve von Hassell is a writer, researcher, and translator. On her website you can learn more about her works including Letters from the Tooth Fairy, written in response to her son’s letters to the tooth fairy, The Falconer’s Apprentice,her first historical fiction novel for young readers and The Amber Crane, a historical fiction novel set in Germany in the 17th century,
Learn more about Trobaritz, the women singers and song makers of the Twelfth Century, on Malve’s excellent blog, Tales Through Time. The quote that precedes the tale of Alina is by Countess Beatriz de Dia, who composed the one piece from that time that survives with musical annotations, the A chantar m’er.
Your host, Mark, is Mawson Bear’s Guardian, photographer, editor, blundering typist, chocolates fetcher and cushions re-arranger. Mawson’s own Blog is Mawson, A Writer-Bear for Our Befuddled Times. Baffled Bear Books ABN: 4787910119.
I got four angry strides away before Harry changed the course of my life with six easy words.“Can you hear the river crying?” Lainie, Ch. 8
From Back Cover Description: ‘In the heart of the Wimmera region of Victoria, an ancient gateway to Eden is kept hidden and safe by a creature so powerful that even the moon would obey her commands – at least it would if she had any idea that she wasn’t just a normal girl about to finish high school.
‘Your mother’s grave is a lie.’ Harry to Lainie.
Synopsis: Lainie’s days are filled with study, repairing fences, ‘pulling stubborn lambs out of angry ewes’, and contemplating a future beyond this one-grain-silo town.
When the two important adults in her life, Aunt Lily and Harry, try to tell her that the mother she never knew is actually alive in some ‘Eden’, she reacts with anger. Though not clued up on the Book of Genesis, Lainie is sure the original Garden was not in the Great Southern Land (Australia). Besides, her mother lies buried. Harry, though, disappears. This is the catalyst for Lainie to seek out her roots.
This unusual adventure, aimed at Young Adults, is so thoughtful it deserves a wide readership. It mixes a coming-of-age tale and romance with ancient memories, religious motifs and mythologies.
The slow burn narrative begins in a nowheresville ‘where the creeks are named after dead animals’. Carolyn Denman builds the details of school life, farm work and hikes through the fire-prone bush until the fantastical elements seem to arise quite plausibly from this backdrop .
I see it as an engrossing story of protecting the one Eden we all have now, our Earth. Lainie and her friends, Bane, Noah and Tessa, represent our only hope – young people. Earth’s enemies are symbolised by the mining giant Kolsom. But there is more going on than the struggle between these Sentinels of a special place and Kolsom’s devious agents. Something seems to be going badly wrong with the nature of Eden itself.
Don’t be fooled by the early steady pace; the acceleration toward the utterly unforeseeable events took me by surprise. You are bound to want to know what on earth – and Eden – is going to happen next. Fortunately, the sequels are now available too.
I smiled at him, winked, then stepped across the boundary into Paradise.
Note on song lines: To Indigenous Australians, a songline, or dreaming track, is one of the paths across the land or sky which mark the route followed by creator-beings. These made the earth and everything in it. This early time is called the Dreamtime or the Dreaming. Carolyn Denman says in the foreword, ‘My desire is that this tale reflects the co-existance and interconnectedness of belief systems.’
A word on the dialogue: Some of the lively terms sprinkling the novel might be new and fun to readers beyond Australia: you will hear of colours, for instance, ‘as bright as a tradies wardrobe’, and of dorks, drongos, fairy bread, even a mention of the legendary drop bears*.
You are at Baffled Bear Books. Here writes Mark, guardian of Mawson Bear. Mawson is a Ponderer of Baffling Things and one of this bright world’s few published bears. He is the writer bear of It’s A Bright World To Feel Lost In. Mawson has many qualitites but he is not a drop bear.
‘Mawson is the proud author of It’s a bright world to feel lost in, published by Publisher Obscura. This is a beautiful philosophical book in the vein of The blue day book by Bradley Trevor Grieve. It is the perfect sort of book to buy as a stocking stuffer or Kris Kringle for someone who likes to muse about life, and who hasn’t lost their sense of whimsy. Mawson ‘s second book is She Ran Away From Love.’
Which writer or writers opened your eyes to the magic of storytelling and why?
‘When young I devoured books by many authors but when it comes to the magic they brought me, I will list those by C.S Lewis (Narnia), Issac Asimov (Sci Fi), and Rosemary Sutcliffe (historical fiction).’
Like most readers, what I sought was to be transported from this world. With these writers I could be in Norman England winning back a castle during a school break, in the woods of Narnia on a rainy Sunday, or fleeing rogue robots during a long car ride.
What is your greatest magical power as a writer?
‘Shyly he says, ‘I listen to the bears’.
Poets, actors, composers, painters, ‘artistic people’, all speak reluctantly about the heart of creativity. They proffer vague expressions like ‘feeling inspired’, ‘being guided’, ‘trusting the muse’, ‘entering into the role’. What does this mean? I think it’s about listening for ‘something’. Now, this ‘something’ cannot not be analysed or modelled on a flow chart. It’s very shy, and it needs to trust you to respect it. I think the greatest magical power of a writer is to gently –don’t startle it –gently reach out for this ‘something’, gain it’s trust; and then to let characters and story flow on from there.
I listen to my bears. I never know when I’ll hear in a voice as quiet as can be imagined the best ponders framed in the best words; and these are ideas and words that I myself did not have in mind, really I didn’t. When I don’t listen but just grind on, my writing is not right: the voice feels wrong, the images don’t flow, and it is not satisfying’.
While you are there be sure to read more about the books by this novelist, playright, performer and thespian. Rachel ponders much about the power of story and fantasy in our lives. At her website you can learn more about the Commedia dell’Arte, an inspiration forThe Tales of Tarya.
PLEASE FOLLOW USAt Baffled Bear Books . Simply plonk your paw on the FOLLOW buttons on this very page. You can also follow on Amazon and on GoodReads. We are also on Instagram, and Tiktok, and Anchor/ Spotify and Mastodon (link is @mawsonbear@mastodon.au. )
The Ouroboros Key, published by Odyssey Books, blends Sumerian mythology, esoteric Templar secrets, and a detective story, all played out in the mountains of modern day Colorado.
Before Dan Tenney can understand the strange dreams he’s had all his life, he’s attacked by an enigmatic group, the Brotherhood of the Grail. When he is whisked away from them to underground sanctuary by an even less explicable pair of men, he comes into the possession of what is apparently an ancient relic. His dreams get worse!
His friends search first for Dan, and then for the meaning behind the mystifying events they stumble upon. We readers learn the clues, the connections and the mythologies at the same pace as the band of searchers as they dodge villains and attempt to pin down straight answers.
This is as much a story about these characters and their idiosyncrasies and relationships as it is about a myth-riddled artefact. I liked this approach, as the details and lore of each mystery never got too heavy, too scholarly. We learn, together with our little band, enough to get some sense of things, and then are on the way again, as the quest develops into a dangerous trek in the mountains.
This novel will be enjoyed the readers who love to delve into the mysteries of ancient myths and at the same time enjoy a good adventure – and isn’t that most of us?
Patricia Leslie gives more details about this, including how she came to write, and also her other books at patricialeslie.net.
Where to find it:Amazon, Barnes and Noble, Waterstones, Chapters Indigo and more. Or ask your friendly local bookshop to obtain it for you.
PLEASE FOLLOW USAt Baffled Bear Books . Simply plonk your paw on the FOLLOW buttons on this very page. You can also follow on Amazon and on GoodReads. We are also on Instagram, and Tiktok, and Anchor/ Spotify and Mastodon (link is @mawsonbear@mastodon.au. )
You are at Mark’s blog called Baffled Bear Books. Mark is a dark coffee tragic and bibliophile as well as the Guardian and blundering typist for Mawson Bear, Ponderer of Baffling Things and one of this bright world’s few published bears.
‘How could she have fallen through a brick wall in Melbourne, emerged from a mirror on the other side, and finished up surrounded by mountains?’ Ch. 2 Alone
Songbird is the first in a trilogy called GriffinSong. Aeryl has gone out at night to pick up medicines at a late night chemist (drugstore). That’s all. Nothing unusual there. And she has arrived another world via a collision with brick wall. She desperately needs to rejoin her child but the mirror from which she emerged does not seem to work in reverse. But right now her immediate problem is to avoid being burned alive by the people in this strange place.
‘Aeryl tried to picture the distance between here and Irenya’s other reality. Was it as far away as the stars netted in Meias’s hair. Or a hand span through the mirror? Were there other worlds slidingacross the surface of theirs?’ Ch. 3 Distractions.
The hallmark of a good series, I think, is that you finish the first book very keen to know what happens next. In this regard, Songbird is a winner. I had to know how on earth, or how on this strange world, at least, she would ever get back to her child. Fortunately for the reader, the next volumes are now available. My recommendation? Get them all and read them one after another.
‘This is a cruel twist of fate, that an infant in another world should be derived of her mother in order to transform ours.’ Ch. 5 Quandary.
Where to find Songbird and the GriffinSong trilogy. From publisher Odyssey Books, from Book Shop Org (supporting local bookshops),from BookDepository (with free shipping ), Amazon in softcover and Kindle, Barnes and Noble in soft cover and Nook, and Waterstones, among others. Or, ask your friendly local bookstore to order it in for you.
Mark, your reviewer here, is also the guardian and blundering typist for Mawson, one of this bright world’s few published bears.
Long ago, in the dawn of galactic history, way back in the 1970s, on the crust of a planet orbiting an insignificant star on the fringe of the star charts, a small bipedal creature hunched over well thumbed copies of secret lore printed on cheap paper and marvelled at the immensity of space and time.
From one end of the galaxy to another there was a crumbling Empire; and only Hari Seldon’s successors could save its billions of people from 30,000 years of barbarism. Maybe other kids like me felt like misfits as we fumbled at games and got relegated out of teams to merely keep scores on sports days. But we were involved in the sweep of galactic history. We also knew the Laws of Robotics by heart. We read Asimov.
I spent the earnings of my paper rounds (remember those?) on Asimov’s books. When I had enough cash (remember cash?) I made my pilgrimage to the sacred local bookshop. I’d approach the cash register already reading the first page and cycle home to read late into the night, straining my eyes at the tiny print and firing up ganglion after ganglion in my brain. Weeks would have to then pass before I could afford the next title, so what did I do? I read the titles I already had over and over again.
Asimov’s Foundation series appealed to me because they they were NOT space operas in which brawny jocks blew up green aliens and rescued females clad in scraps of cloth and leather. There are certainly wars in the story but they take place on the fringes. All the actionis comprised of talk: talk and thought; people using their brains to solve vast problems of strategy, politics and the sweep of history. (‘I am .. not a clef-chinned, barrel-chested hero of a subetheric trimension thriller’. General Bel Rios to Brodig. Foundation and Empire.). To a teenager who was regularly pummelled by cricket balls because he never worked out how to catch them, this was great reading.
Eons passed. Propelled by my interest in Table Top Wargames, I read much history, and realised that Asimov’s ‘pyscho-history’ was well based on the events on good old brutal Earth. The decay of his Galactic Empire is loosely modelled on the fall of Rome. General Bel Riose, who retakes parts of the old Empire but falls foul of a suspicious Emperor is obviously inspired by Flavius Belisarius who angered Emperor Justinian of Byztantium by being too successful. The “Traders” and their Association recalled to my mind the early aggressive European traders such as the Portuguese and, later, the powerful East India Company. There are many points of inspiration that I eventually spotted -and I imagine fellow Asimovians did too.
More eons passed – let’s call them ‘human decades’. There I was the other day browsing in the sacred local library, repository of the wisdom of the ages (and an astonishing number of Harry Potter books) when Lo! I chanced upon all three Foundation titles.
“Read us, Mark”, they called in that quieter-than-thought but unmissable voice that books transmit when they spot their likely readers (You all read a lot; you know the voice I mean.) “You’ve only read us a dozen times before. Take us home. You don’t even need to do a paper run in the rain any more. Borrow us. We’re free from your local library.” Readers, your Correspondent borrowed them.
What an intriguing return journey this is. It’s like returning to the town where you grew up but being now able to see it differently. Look, there on the second page are the ‘calculator pads’ that Asimov imagined in the 1940’s*. I thought it would be wonderful to have something like that – and now I do. I call it a ‘smart phone’. And there is the reference to the planetary power source that I did not understand at all in the 1970s but now know to mean thermal power. And look, there is the basis of all sci-fi travel, beloved by novelists and movie makers, without which their stories would be impossible even as improbable fiction – the notion of ‘Hyper Jumps’.
With the magic of hindsight, I can see too how Asimov was still stuck in the 1940s and 1950s despite the far reach of his imagination. For one thing, the characters read newspapers. Another oddity, is that although Asimov crafted his Robot novels on the idea of a ‘positronic brain’, there is little computerisation in the Foundation series – although, to be fair, he was imagining a decaying civilisation in which nothing new got invented. And there is the omission worthy of note even to a teenage boy in the 1970s: there are few women; and such who do appear, like Batya in Foundation and Empire, are introduced with cringeworthy emphasis on their looks. Tobacco smoking remains prominent and the men light up cigars at any excuse. Smoking inside space ships! The thought chokes me up.
*These stories by Isaac Asimov were first published in magazine form by Street & Street Publications and the first paperback editions in 1952 by Gnome Press. The 2016 edition by HarperVoyager is the one which I photographed above (with my calculator-pad-smart-phone.)
Where to find the Foundation series: At BookDepository (free shipping) and Book Shop Org (supporting local bookshops). Or visit the sci fi section of your revered local bookshop, repository of the wisdom of the ages and of books that will call to you from the shelves, “Take us home, take us home.”
You are at Mark’s blog called Baffled Bear Books. Mark is a dark coffee tragic and bibliophile as well as the Guardian and blundering typist for Mawson Bear, Ponderer of Baffling Things and one of this bright world’s few published bears.
The Chronicles of Altaicamake for a great read, the kind that you keep reading as you stumble off the bus and still read right up until you arrive (sigh) at the door of the day job. Adventure and danger, hard rides and mountain crossings, spies and plots and murders, primal magic and goddesses, war and strategy, skirmishes and battles and desperate duels. Here is a whole world of rivalries, peoples, cultures and absorbing characters.
First, catch up by looking at my review of the first part of The Chronicles of Altaica in which villagers fled an invading army, got swept out to sea and then were rescued by people in another country that they knew nothing of.
My difficulty now is to urge you to read this sequel, Asena Blessed, without blurting out ‘spoilers’. The Cover tells us this: ‘Isaura has emerged from the spirit realm forever altered .. Caught between two ancient powers, Isaura must try to make her own path. .. Aid arrives from an unexpected source – one who knows no rules and respects no one.’ I will highlight some aspects of the world building and the characters that I particularly liked.
Animal guardians have become a feature in fantasy tales since their appearance in Phillip Pullman’s books. We readers may have grown used to these linked animals existing mainly for the sake of the humans, like enhanced pets. Tracy Joyce turns that idea on its head by considering the wild nature of the linked animal. What if the linked animal has it’s its own intentions? What if it could be too powerful and difficult to control? Some scenes in Asena Blessed took me by surprise because the guardian acted on its own account, and the result was not remotely cutesy
Complicated heroes. Throughout the first book the reader identifies with the dilemmas of the central character, Isaura. In Asena Blessed, however, she is swept unwillingly into the spirit realm and emerges more conflicted than ever. Her resulting actions are not necessarily noble at all times. I often blinked at the turn of events. ‘Did she really do that?’
Matriarchs and Female Warriors. To say this book includes ‘strong female characters’ is an understatement. Among the Altaicans, all adults train for fighting and the tattooed and hardened women ride with the men.Key movers in this story include the female keepers of lore known as ‘Kenati’, the matriarch of the wolf-like Asena clan , the Lady Malak, who strives to undermine the power of the tyrant Ratilal, and an intervening female spirit who may or may not be a goddess but who in any case seems to be playing her own game.
Plausible Warfare: We have all endured movies and novels in which the fighting scenes are over the top: every warrior somehow knows all the modern martial arts. Bows fire multiple arrows at a time, arrows and sword blades cut like lasers through the heaviest body armour, and so on until it all gets silly. Not so here. The tactics, weapons, armour, siegecraft and melees are based on the authors research of warfare in our own non-Altaica world. The fighting here is brutal, the wounds nasty, and soldiers do appalling things to civilians. This is a fantasy world but it is no fairy tale.
The Chronicles ofAltaica: are published by Odyssey Books. The beautiful covers, full of meaning about the stories within, are designed by Karri Klawitter. You can obtain signed copies at Tracy Joyce’s website and also read about the forthcoming third book in the series. You can also read FREE COPIES of ‘Rada’, a story set in the Zaragarian Empire 16 years before the Chronicles begin.