The Adventurous Princess and other Feminist Fairy Tales, by Erin-Claire Barrow

‘What if Beauty stood up to the Beast, the Princess never tried to sleep on the pea .. and the Swan Maiden took revenge on the hunter who kidnapped her?‘ (From the Back Cover.)

Professor Caddy got her paws on this beautifully illustrated retelling of fairy tales. On the cover, a young woman, head held high and wearing sturdy boots, looks ready to protect herself (spear) and to find her own way about (map). The back cover suggests she is less concerned about the dragon than the dragon might be about her. There is not a tiara or movement-restricting dress in sight. ‘I must bring this to our Tedettes Jane Austen Bookclub’, said Caddy. ‘These princesses look so different and bold’.

Tedette Samantha loved the first tale, ‘The Princess and The Pea’. This is the exactly kind of princess Sam wants to be! She dashed off to put on her ‘exploring bag’, inspired to go adventuring herself right away.

Wise old Hilda-Bear read ‘Cinderella.’ ‘Marvellous’, muttered Hilda, ‘ Marvellous. Why should we bears of ‘a certain age’ miss out when it comes to fairy tales. Marvellous, just marvellous’.

Tedette Lizbeth is always conscious of her lovely fur. She went straight to the tale of ‘Snow White’ which features the magic talking mirror. Well, it was not quite how she remembered it. “Mirror, mirror on the wall’, asks the Queen, ‘who is the fairest of them all?’ Lizbeth was delighted at how this story turns out. She will never look at mirrors or her fur the same way again.



The nine tales retold here include ‘Beauty and The Beast’, ‘The Frog Prince’ and ‘The ‘Swan Maiden’, but now you see them with new eyes. I think we will all want to see more tales in this light! Oh, and there are ‘morals’ in these tales for princes too, for instance, that wearing glasses and loving books is perfectly fine, and that waiting about on a lily pad in a murky pond hoping a princess will come to you is perhaps not the best way to go forth in life.

‘The charm, whimsy and magic of traditional fairytales remain, but the diverse characters challenge stereotypes about who they should be or how the y should act, stand up for themselves, and shape their own futures. ‘(From Back Cover).

The Adventurous Princess is both written and illustrated by Erin-Claire Barrow. Her full-page colour drawings are respectful of the original tales but visually turn us to appreciate them differently. Erin hopes such stories ‘inspire young people, and young women in particular, to see themselves as the strong, clever and adventurous heroes of their own stories.’ (Foreword.) You can see more of Erin’s work at her website. Take a look, for instance, at her collection called ‘Dangerous creatures from Celtic folklore.’

The Adventurous Princess and Other Feminist Fairy Tales is published by Publisher Obscura, an imprint of Odyssey Books . You can also find it on Book Depository. On Amazon it is currently FREE on Kindle unlimited, although with illustrations of this quality you will want to hold the real thing in your hands. See also Barnes and Noble.

Mark, your host here at Baffled Bear Books, is also guardian and blundering typist for Mawson, one of this bright world’s few published bears. Mawson is the writer-bear of It’s A Bright World To Feel Lost In and She Ran Away From Love. 

‘Chekov’s Three Sisters Would Have Got To Moscow’. Notes on Georgette Heyer

The Tedettes Jane Austen Book Club are now engrossed in the novels of the Queen of Regency Romance, Georgette Heyer. They have learned more about their heroine from Jane Aiken Hodges biography. It’s called The Private World of Georgette Heyer (Quotes from the Chivers 1984 edition).

Hodge’s Foreword: “She was .. an immensely skilled and meticulous craftswoman. She did her best to conceal her high standards and stern moral code behind the mask of romantic comedy.”

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Engrossed in the regency novels of Georgette Heyer

Plots and technique

(From Hodges, Chapter 2). Heyer once said, “My plots are abysmal and I think of them with blood and tears”. Her family confirm she did indeed work at her plots with blood and tears .. plunged in black gloom when things went badly, prowling restlessly about the house until she had her plan worked out, when she would sit down and write … at high speed, often late into the night. Heyer said of her own work in one letter to her publisher:

“ … The Unknown Ajax and Venetia are the best of my later works. My style is really a mixture of Johnson and Austen – what I rely on is a certain gift for the farcial … I know its useless to talk about technique in these degenerate days – but no less a technician than Noel Coward reads me because he thinks my technique is so good. I’m proud of that.”

(From Chapter 8) She kept a single fan letter, received in 1963 from former political prisoner in Romania. The writer spoke of how she had read Friday’s Child before her arrest, and for 12 long years had told and retold the story, committed to memory, of “what Kitten did next” to her fellow inmates.

“Truly, your characters managed to awaken smiles, even when hearts were heavy, stomachs empty and the future dark indeed”.

Praise that would astonish any writer.

Much in Hodge’s biography is of technical interest to writers: Heyer’s dealing with her several publishers and agents, and her views about the blurbs and jackets. There is a lesson too in reading about Heyer’s decades-long tax problems. Even though she always earned a lot she had cash flow problems. These mangled finances were caused by herself and her husband simply not taking a business-like approach to her income.

The Tedettes leave you with their favourite observation from Hodge’s biography:

“She had no patience for .. Russian gloom. If she had been one of Chekhov’s three sisters they would have got to Moscow.”

The Tedettes first looked at Hodge’s biography here, and then they read about Heyer’s hero’s here.

The Private World of Georgette Heyer and more about Miss Heyer the writer can be found at Amazon, and BookDepository. Thanks for joining the Teddettes as they explore the Regency world of Georgette Heyer.

You are at Mark’s blog called Baffled Bear Books. Mark is a dark coffee tragic and bibliophile as well as the Guardian and blundering typist for Mawson Bear, Ponderer of Baffling Things and one of this bright world’s few published bears.

Often A Bounder: The Tedette’s Jane Austen Book Club reads about Georgette Heyer’s Heroes

Thrilled by Jane Austen’s novels, the Tedettes Jane Austen Book Club looked about for more books on the Regency. Their house (like every house, surely) turned out to be a treasure trove of novels by Georgette Heyer.  They also got their paws on Jane Aiken Hodges biography,  The Private World of Georgette Heyer  (Chivers 1984 edition). Read about their discovery here.

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The Tedettes get their paws on a trove of Georgette Heyer Novels

Heroes

Georgette Heyer created her heroes very deliberately.  In correspondence with her publishers she gleefully refers to them in a private shorthand by Type, explaining for instance that a particular character is the “The Heyer Mark I” and another is “The Heyer Mark II” and so on.  She’d skilfully build up such a Type, and the readers’ conceptions of such a man,  and then two or three novels later, turn around the readers’ assumption by changing the decisions and actions of the Hero.

Mr Rochester: the prototype.

Jane Aiken Hodge found unpublished articles by Heyer, one of which will fascinate her readers (see Ch. 5 of the bio) as it concerns Mr Rochester, from Charlotte Bronte’s Jane Eyre. This is Heyer’s own view of Mr Rochester:

“It is a accepted fact that women form the bulk of the novel reading public and what woman with romantic leanings wants to read novels which have as their heroes the sort of men she meets every day of her mundane life. (Mr Rochester) is rude, overbearing, and often a bounder, but these blemishes, however repulsive they may be in real life, can be made in the hands of a skilled novelist extremely attractive to many women.”

How ‘Fluffy’ was the Romance, really?

Hodge makes the case that underneath the entertaining friction and tension of her heroes and heroines lies an abiding principle: the protagonists are maturing through the pages into a rich and full relationship .

 Heyer’s idea of romance never ends with “happily married”.  Many of her characters get married off early in the book.  It is the story of their growing mutual respect and understanding afterwards that interests the writer,  and this must be the feature that kept – and still keeps – millions of readers coming back for more.

Antonia Byatt, in an article in Nova, stated,

” (Heyer) is playing romantic games with the novel of manners. In her world of romanticised anti romanticism … men and women really talk to each other … and plan to spend the rest of their lives together developing the relationships”.

In the Tedettes next post they will look at Georgette Heyer’s writing style.

The Private World of Georgette Heyer and more about Georgette Heyer are at Amazon, and BookDepository. Thanks for joining the Teddettes as they explore the Regency world of Georgette Heyer. Next they consider points about Heyer’s methods and style.

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You are at Mark’s blog called Baffled Bear Books. Mark is a dark coffee tragic and bibliophile as well as the Guardian and blundering typist for Mawson Bear, Ponderer of Baffling Things and one of this bright world’s few published bears.

The Tedette’s Jane Austen Book Club reads: The Private World of Georgette Heyer, by Jane Aiken Hodge

Considered queen of the Regency romance, Georgette Heyer is one of the most beloved historical novelists of our time. As Hodge states in the Foreword of her biography: “She gave her name to a recognisable genre of fiction”.

Thrilled by Jane Austen’s books, the Tedettes looked about for more Regency novels. They’ve now got their paws on Chivers 1984 edition of The Private World of Georgette Heyer

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(From Hodges’ Foreword) “From none of the 51 titles in print when she died would you guess (Heyer) spent the early years of her married life (to Ronald Rougier) in rough camps first in Tanganyika then in Macedonia. But she recognised this for experience she could not use. No heroine of hers would ever sit in a grass hut writing a novel”.

“A best seller all her life without the aid of publicity, Heyer never gave an interview and only answered fan letters herself it they had made an interesting historical point.”

The biographer had access to private papers, correspondence and family archives. Hodge details the research Heyer applied to her period and the skill and craft that went into her characters.  Yet for most of her career, she was dismissed as a light romantic.

Hodge’s overriding theme is well expressed, I think, in this observation: ” If anyone could make the romantic novel respectable it should have been G. Heyer, unacknowledged moralist and stylist extraordinary. It did not happen in her lifetime and she minded, silently .. (yet) .. She gave an immense amount of pleasure to all kinds of people, and must have known she did.”

The Private World of Georgette Heyer is at Amazon, and BookDepository. Thanks for joining the Teddettes as they explore the Regency world of Georgette Heyer. Our next post is about the Heyer Heroes.   And you might also like to read about Heyer’s style, researches and writing.

The Tedettes have also read up on Jane Austen of course. You might like to read about Lady Susan and Two Hundred Years of Reading Pleasure.  You can see more of the Tedettes over at Mawson Bear’s own blob, umm, blog.
AbeBooks. Thousands of booksellers - millions of books.

You are at Mark’s blog called Baffled Bear Books. Mark is a dark coffee tragic and bibliophile as well as the Guardian and blundering typist for Mawson Bear, Ponderer of Baffling Things and one of this bright world’s few published bears.